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Rock On Stage: Speaking about you solo career, The Libertine, that was pretty good, and it was release one year ago, and I would like to how was the cd one year later about repceptions from your fans, some critical that you agree or desagree, and how was Libertine Tour? Do you have more dates?
Liv Kristine: The reactions to Libertine were absolutely amazing - the best reactions I ever had to any of my solo albums. I am completely overwhelmed to this very day.We have some special Christmas shows in Germany, Nagold, and Switzerland, Pratteln in December, where I also meet and greet all my fans and friends. I can't wait to play Libertine for you live again, moreover, a number of older songs, including a handful of Theatre of Tragedy songs.
Rock On Stage: enjoyed the clip "Paris. Paris " and how you created the idea from video and who was the producer?
Liv Kristine: it was produced by our long-time friend and producer Patric Ullaeus and his first-class Revolver Film Company in Gothenburg, Sweden. I really loved making it, and the result of it - it's really, really good! I love working with Patric!
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Rock On Stage: Now, let`s change your band. About Leaves’ Eyes. The new release will call "Symphonies Of The Night" and how was the production and studio? What you thinks is different about Leaves' Eyes discography? Will you launch some single before the release?
Liv Kristine: We, in cooperation with our label, still have to decide if there will be a single. Every Leaves' Eyes album was produced at our own Mastersound studio, which means that every production developed carefully, with 100% focus, and over a longer period of time. Some songs we've composed needed 2 years to ripe, whereas others were written and recorded within a day.I consider myself to be very lucky having the space and time to develop artistically in my own rhythm. I am so grateful for the composing team and the way we have developed over the years. Now we are looking forward to the release of Symphonies Of The Night" which has its roots in both the Meredead and the Njord productions, however, it is another impressing and innovative step in the history of Leaves' Eyes. To me Symphonies Of The Night sounds even heavier, rougher than our past productions, moreover, it brings both symphonic and folk elements for which Leaves' Eyes is known to its maximum.
I have to add that Alex, my husband and our producer, has spent days and nights with expanding his studio knowledge. I am very impressed! This has also brough us a big step forward sound-wise. It is a very powerful album with an incredibly powerful sound as well as fine, amazing details to discover for the lover of gothic and folk-inspired metal.
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